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Monday, May 17, 2010

RamyaSri In Chandrika




Soundaya-Boob Show



Jayalalitha hot in please aunty movie







Saturday, May 15, 2010

Andari Bandhuvaya Movie review

Banner: Filmostav & Utopia

Cast: Sharwanand, Padma Lakshmi, Aryan, Naresh, Aryan, Pragati, RK, Jeeva, Vjay Sai etc

Music: Anoop Rubens
Story - Dialogues: alabhadrapatruni Ramani
Cinematography: JK Gummadi
Editing: Nandamuri Hari
Screenplay - direction: Chandra Siddhartha
Producer: Chandra Siddhartha & RK

Story

andari bandhuvayaNandu (Sharwanand) is a youngster who moves to city to join his job. Padma, a soul bread winner in the family of all four women (she stays with her mother and two sisters) is his neighbour. Nandu and Padma work in the same office. While Nandu is a large-hearted fellow who believes in rendering unconditional help for others, Padma is a mean-minded lady who only cares for her family. The rest of the story is all about how Nandu influences Padma and how they resolve further issues.

Artists Performance

andari bandhuvayaSharwanand is proving to be an excellent actor and his films seem to be quite reliable. Except for Raju Maharaju, he has been choosing scripts very carefully since Gamyam. His intention to go for different subjects is appreciable. His performance in the scene after spending one-day with father is natural (you can observe his squeaking/choking voice and broken dialogues). Padma Priya is a good actress though her looks might not of the regular commercial heroine material. In certain close-ups she reminds us of Tabu. Her performance is clean. Sunita’s dubbing is very good, as usual. Aryan (one of the main leads in Housefull) is excellent as an NRI. His dialogue delivery and expressions are really good. Naresh is very good as father of hero. He got an acting role that suited him after many years. I had never seen actress Pragati so natural in any of her earlier movies. She is just like a beautiful and caring mother in our households. RK is neat as a moneylender. Vijay Sai is good. The girl who acted as a younger sister of heroine is spontaneous as a mischevious girl . She looks to be modelling herself after Colors Swati.

Technical departments

andari bandhuvayaStory - screenplay - direction: Story of the movie is idealistic and noble. The character of Nandu appears more like younger version of Raghuram (Aa Naluguru). If the story of Aa Naluguru is heavy and melodramatic, the story of Andari Bandhuvaya is in lighter-vein. Screenplay of the movie is natural in the first half and appears little forced in the second half. Direction is good in parts. Director Chandra Siddhartha came up with natural characterizations and cast the right actors to carry the job. However, the NRI groom thread appears artificial and forced in the second half. It also cheap for a noble character like Nandu to behave that way. Director Chandra Siddhartha should be commended for attempting a film that says no to regular commercial stuff.

andari bandhuvayaOther departments: Music by Anoob Rubens is good. However the last song is forced when compared to other songs. Cinematography by JK Gummadi is pretty good. Dialogues by Balabhadrapatruni Ramani are mostly natural. Editing is alright. This movie doesn’t use much of technology as it’s a story based movie.

andari bandhuvayaAnalysis: First half of the movie is smooth. Screenplay in the second half appear forced (especially NRI groom episode) in order to increase the runtime. The plus points in the movie are noble intentions, nice characterizations and right casting. On the flip side, this movie doesn’t show the negative side of free donations. The entire movie has mostly positive characters which don’t exist in real life. There is a dialogue in a Bapu’s film – samajamlo manchi vallu chedda vallu ani vere veruga vundaru. Avasaralani batti machi vallaga chedda vallaga tayaravutaru.Though the movie is made with noble intent, it is far away from reality. We have to wait and see how the movie is received by the movie lovers.

RRKK Review

Banner: Sri Venkateswara Creations

Cast: Ram, Arjun, Priya Anand, Bindu Madhavi, Nassir, Brahmanandam, Benerjee, Sayaji Shinde, Srinivas Reddy, Pragathi, Bharath, Pruthvi, Shankar, Sekhar, Gracy Singh etc

Music: MM Keeravani
Dialogues: M Ratnam
Cinematography: Sekhar V Joseph
Editing: Gowtam Raju
Art: AS Prakash
Story - screenplay - direction: Srivas
Producer: Dil Raju
Release date
: 12 May 2010

Story

rama rama krishna krishnaRama Krishna (Ram) is the son of a Gandhipuram village president (Nassar). His father is a strict disciplinarian and wants Rama Krishna to be perfect. Rama Krishna is a funny youngster who pretends to be good in the presence of his father but does a lot of mischief on his back. Ashok (Arjun) is a mafia don in Mumbai and he goes into a sabbatical after the death of his his wife. Ashok along with his two sisters settles in Gandhipuram. Rama Krishna unfortunately gets in to the bad books of Ashok. Meanwhile,. Ashok’s past catches up. The rest of the story is all about how Rama Krishna uses his intelligence and muscle power to achieve the good will of both his father and Ashok.

Artists Performance

simhaRam comes up with yet another energetic performance. His dialogue delivery in Godavari dialect is nice. NTR gave the voiceover to the introducing of hero character.Arjun suited the role well and he dubbed his own voice. Priya Anand is alright as female lead. Bindu Madhavi’s role is pretty much limited. Naseer is extremely good.Brahmanandam’s character doesn’t offer required level of comedy. Pruthvi andBharat are entertaining. Srinivas Reddy is one of the most promising comedians who can generate laughter with his dialogues like Ali and Krishna Bhagawan. He is good in this movie. Gracy Singh did a small role as Arjun’s wife. Sekhar’s (Chatrapati fame) performance is odd in the first half.

Technical departments

rama rama krishna krishnaStory - screenplay - direction: Story of the movie is little formulaic with inspirations from films like Basha (Arjun’s character) and Bangaru Bullodu (villains searching for hero in villages). Unlike earlier movies, the director preferred straight narration where the mafia don’s role is revealed in the first scene of the movie. Srivas penned a commercially viable screenplay by mixing sentiment and action. The aspect of interval where the thread of hero converges with the thread of Arjun is the best point of the movie. Direction of the movie is okay in parts.

simhaOther departments: I liked title song and Sankranthi song (2nd song) in this movie. Tugo Jilla comes at the right time. All other songs are not effective. The song bits (mostly rap style) are interesting. Cinematography by Sekhar V Joseph is just okay. But the producer didn’t seem to have taken proper care in post-production of the movie. There is no DI (color grading). Most of the CG work is okay (chase sequences and blasting of vehicles), but it’s hazy in some of the vital parts (especially hero’s intro scene). Dialogues by M Ratnam are good in parts. Production values are good by Dil Raju.

rama rama krishna krishnaAnalysis: First half of the movie is alright. Interval episode is good. Second half becomes predictable. Climax should have been better. The plus points of this movie are Ram, Arjun and commercial elements. This movie suffers from predictability and lack of freshness in second half. On a whole, RRKK is a commercial film that is intended to cater to families and masses. We have to wait and see if this movie clicks with the target audiences or not.

Thursday, May 13, 2010

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